The artist's journey through a multi-module course is documented, emphasizing personal growth and embracing storytelling. The first chapter delves into thought experiments, perception, and character development. The second chapter touches on technique and narrative research, while the final chapter explores research expansion and animation creation. The artist's evolution and passion for creative storytelling are evident throughout.
Hello and welcome to my Confirmative Praxis project. In this post, you will be taken on a journey through my process of this final project as I go in-depth into topics of research while also giving you insight into my process as I talk you through from A to B. This final piece is a … Continue reading Confirmative Praxis – The World’s Pettiest Thief
Hello all, and welcome to my Explorative Research and Praxis project. In this post, I will be going through all the pathways and tangents that I have taken since the beginning of this project. Starting with my initial thoughts and what I could possibly do, I went on to deep dive into narrative as a … Continue reading Explorative Research and Praxis
Hi all. In this post, I will be going through my thought process when given the live brief and explaining my journey from start to end. Firstly, I will be discussing research and various concepts I developed until inevitably finding the process that led to the final outcome that I produced. Types of Lighting - … Continue reading Lighting Project
Once the collections project had ended, the time came for the final project of Foundation to start. So long to fortnight-long projects and hello to extended briefs. For this project, I wanted to add to "The Legacy of Steve" and recreate them as a symbolic characterisation of emotion. This process has become a favourite and … Continue reading “Tabula Rasa” – The Final Project of Foundation
This essay explores the use of masks in digital media, focusing on the films "Eyes Without a Face" and the game "We Happy Few." Both showcase the removal of emotion from characters and the replacement with a neutral state of expression through masks. The comparison reveals insights related to the concept of Tabula Rasa.
Samuel Mathias 